David Edelstein

David Edelstein is a film critic for New York magazine and for NPR's Fresh Air, and an occasional commentator on film for CBS Sunday Morning. He has also written film criticism for the Village Voice, The New York Post, and Rolling Stone, and is a frequent contributor to the New York Times' Arts & Leisure section.

A member of the National Society of Film Critics, he is the author of the play Blaming Mom, and the co-author of Shooting to Kill (with producer Christine Vachon).

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1:14pm

Fri February 21, 2014
Movie Reviews

'Wind Rises' Is Exquisite, And Likely To Be Hayao Miyazaki's Last

Originally published on Fri February 21, 2014 6:57 pm

In the film, which Miyazaki says is his last, the wind carries off the parasol of a fragile girl, Nahoko, into the hands of Jiro β€” who will fall in love with her.
Studio Ghibli Nibariki

The 73-year-old Japanese animation titan Hayao Miyazaki says The Wind Rises is his final film, and if that's true β€” and I hope it's not but fear it is, since he's not the type to make rash declarations β€” he's going out on a high.

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2:18pm

Fri February 7, 2014
Movie Reviews

Masterpieces In Peril, 'Monuments Men' Protects, But Also Panders

Originally published on Fri February 7, 2014 3:32 pm

Critic David Edelstein says that The Monuments Men has "an all-star cast" β€” including Matt Damon and Cate Blanchett β€” but that "the stars are all low-wattage."
Claudette Barius Columbia Pictures

George Clooney's The Monuments Men tells the largely true story of a squad of art experts who, near the end of World War II, are assigned to protect the masterworks of European society from Nazi theft and Allied bombardment. You'll notice those are two separate goals.

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10:31am

Fri January 24, 2014
Movie Reviews

Middle-Aged And Divorced, 'Gloria' Takes On Life's Uncertainties

Originally published on Fri January 24, 2014 4:23 pm

Transcript

DAVE DAVIES, HOST:

This is FRESH AIR. "Gloria" is a new film from Chile that centers on a late-middle-aged divorced woman whose life is full of uncertainties. She's played by Paulina Garcia, who won the top acting prize - the Silver Bear - at the 2013 Berlin Film Festival, where the movie was a surprise hit. It opens this week in New York and Los Angeles, and wider next month. Film critic David Edelstein has this review.

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11:59am

Fri January 17, 2014
Movie Reviews

Jack Ryan Gets A Makeover, And A Quick Trip To Moscow

Originally published on Fri January 17, 2014 3:05 pm

Chris Pine and Keira Knightley anchor Jack Ryan: Shadow Recruit, opposite Kevin Costner as a CIA veteran and Kenneth Branagh as the story's big bad.
Larry Horricks Paramount Pictures

A franchise is what we used to call a Burger King or a Shell station, but nowadays the word appears more often in relation to movies: the Star Wars franchise, the Hunger Games franchise, the Jack Ryan franchise β€” or in the case of Jack Ryan: Shadow Recruit, the Jack Ryan franchise reboot. I don't know what's more depressing: that what fires up studio execs is the hunt for a new franchise or that critics have adopted this business lingo uncritically.

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1:59pm

Fri January 10, 2014
Movie Reviews

'Invisible Woman' Charts Charles Dickens' Hidden Relationship

Originally published on Fri January 10, 2014 2:30 pm

Transcript

DAVE DAVIES, HOST:

This is FRESH AIR. I'm Dave Davies in for Terry Gross. The new film, "The Invisible Woman," charts the hidden relationship between Charles Dickens and a young actress for whom left his wife, but who for years never showed up in biographies of Dickens. It's the second film directed by Ralph Fiennes, who also plays Dickens and features Felicity Jones as the actress, Nelly Ternan.

Film critic David Edelstein has this review.

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12:18pm

Fri December 20, 2013
Movie Reviews

A Man And His Machine, Finding Out What Love Is

Originally published on Fri December 20, 2013 3:24 pm

In the sci-fi romance Her, a lonely man (Joaquin Phoenix) finds love in a rather unexpected place β€” with a computer operating system named Samantha.
Warner Bros.

Her is the best film of the year by a so-wide margin. It's gorgeous, funny, deep β€” and I can hear some smart aleck say, "If you love it so much, why don't you marry it?" Let me tell you, I'd like to!

I certainly identify with the protagonist, Theodore Twombly, who falls in love with his computer operating system, his OS, which calls itself β€” sorry, I gotta say "who calls herself" β€” Samantha, and who sounds like a breathy young woman.

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12:34pm

Fri December 13, 2013
Movie Reviews

A 'Hustle' With Flow (And Plenty Of Flair)

Originally published on Fri December 13, 2013 2:46 pm

A '70s con-artist couple (Christian Bale and Amy Adams) are forced to team up with an FBI agent (Bradley Cooper, right) in American Hustle, inspired by a real-life sting targeting corrupt politicians.
Francois Duhamel Columbia Pictures

David O. Russell hovers at the top of my list of favorite directors. He captures the messy collision of self-interests that for him defines America. In American Hustle, he whips up a black comedy based on Abscam, the late-'70s FBI sting that centered on a bogus sheik and led to the bribery convictions of sundry U.S. politicians. But he doesn't tell the real Abscam story; he adapts it to fit his theme, which is that most of us are busy reinventing ourselves and conning one another.

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12:50pm

Fri December 6, 2013
Movie Reviews

Great Soundtrack Aside, 'Inside Llewyn Davis' Hits A Sour Note

Originally published on Fri December 6, 2013 3:05 pm

In the Coen brothers' latest film, down and out Llewyn Davis (Oscar Isaac) is trying to make ends meet as a folk singer in New York in the early 1960s.
Alison Rosa Long Strange Trip/CBS Films

The films of Joel and Ethan Coen pose a challenge: How do we reconcile their wildly disparate tones? Consider O Brother, Where Art Thou?, a burlesque of Homer's Odyssey centering on three stumblebums β€” but with a soundtrack assembled by T Bone Burnett of heartfelt historical gospel and country music. Ditto The Ladykillers: venal idiot characters, soaring African-American spirituals. The ridiculous and the sublime sit side by side, with no spillover.

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7:03am

Fri November 29, 2013
Movie Reviews

A Korean Cult Thriller Gets A Spike Lee Makeover

Originally published on Mon December 2, 2013 10:04 am

After 20 years in captivity, Joe (Josh Brolin) is released into the world with a hammer and an appetite for revenge in Oldboy, a Spike Lee remake of the 2003 South Korean film.
Hilary Bronwyn Gayle FilmDistrict

Spike Lee's movies typically carry the label "A Spike Lee Joint," but Oldboy doesn't. He calls it "a Spike Lee Film," which my guess is Lee's way of saying he's a gun for hire β€” and that after a line of box office failures and difficulty getting financing for personal projects, he can make a fast, violent action thriller.

And as it happens, he can β€” a more-than-decent one. But this is also the first time I've come out of a Spike Lee film, bad or good, and not known why it had to be made. It's brutal, effective and utterly without urgency.

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2:57pm

Fri November 15, 2013
Movie Reviews

Across 'Nebraska,' On A Journey That Goes Beyond The Trip

Originally published on Fri November 15, 2013 5:47 pm

David (Will Forte, left) and his father, Woody (Bruce Dern, center), take time out of their quixotic journey to stop in Woody's small Nebraska hometown β€” where Woody's old business partner, Ed (Stacy Keach), is still nursing a grudge.
Merie W. Wallace Paramount Pictures

Last month, I saw the trailer for Alexander Payne's Nebraska, and only the fact that it was a Payne film made me want to see it.

The premise seemed a dead end: Bruce Dern plays an elderly man named Woody Grant living in Billings, Mont., who gets a letter saying he's won $1 million. All he needs to do is call a number and maybe buy a magazine subscription.

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12:30pm

Fri October 25, 2013
Movie Reviews

In Emotionally Charged 'Blue,' Sex Is Graphic, But Not Gratuitous

Originally published on Fri October 25, 2013 2:30 pm

Blue Is the Warmest Color chronicles the love affair between high school student Adèle (Adèle Exarchopoulos, left) and Emma (Léa Seydoux), who is older and more experienced.
IFC Films/Sundance Selects/Wild Bunch

Blue Is the Warmest Color is a lesbian coming-of-age movie, and its long and graphic sex scenes have already generated controversy. The director, Abdellatif Kechiche, is a man, and at least one prominent female critic has accused him of leading with his own libido β€” a charge that I vigorously dispute, but of course I'm a man so take that as you will. Here's what I saw: a film that captures the intensity of sexual discovery β€” and dependency β€” in a way I've never seen. It's 179 minutes, every one of them charged. It's a remarkable experience.

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11:50am

Fri October 18, 2013
Movie Reviews

At Home At Sea: Robert Redford, At His Best Alone

Originally published on Fri October 18, 2013 3:38 pm

Robert Redford stars in All Is Lost as a solitary man struggling to make his yacht seaworthy again after it collides with a rogue shipping container adrift in the Indian Ocean.
Richard Foreman Roadside Attractions/Lionsgate

As I watched Robert Redford acting all by himself in the superlative survival-at-sea movie All Is Lost, I suddenly realized why the setup feels so perfect: Redford is most in his element when he's alone.

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1:52pm

Fri October 11, 2013
Movie Reviews

A Pirate Saga More Sobering Than Swashbuckling

Barkhad Abdi (middle) plays Muse, the leader of a band of Somali pirates who take over a freighter in Captain Phillips.
Hopper Stone Columbia Pictures

Most kidnapping melodramas have final scenes β€” after their climaxes β€” that are, effectively, throwaways. There are sighs of relief, tearful reunions with families, cameras that dolly back on domestic tableaux to suggest the world has at last been righted.

I think it's telling that in Captain Phillips the most overwhelming scene is after the resolution, in the infirmary of a ship. So much terror and moral confusion has gone down β€” so much pain β€” that the cumulative tension can't be resolved by violence. The movie's grip remains strong even when it cuts to black.

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1:58pm

Fri October 4, 2013
Movie Reviews

Houston, We Have A Space Flick: A Sentimental Mission In Zero 'Gravity'

Originally published on Fri October 4, 2013 2:51 pm

In Alfonso Cuaron's Gravity, Sandra Bullock plays Ryan Stone, an astronaut careening through space after an accident.
Warner Bros.

In a season in which we're all talking about AMC's phenomenal Breaking Bad and Netflix's elating Orange Is the New Black, Hollywood needs you, your kids and everyone in Europe and China to get out from behind those TV monitors and into theaters. Movie studios are falling behind on compelling narratives. But they can give you what TV can't: absolute, total bombardment.

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12:16pm

Fri September 27, 2013
Movie Reviews

Gordon-Levitt's 'Don Jon' Is An Openhearted Directorial Debut

Originally published on Fri September 27, 2013 2:15 pm

Joseph Gordon-Levitt --€” in his writing and directing debut --€” plays Jon, a porn addict with no interest in relationships until Barbara (Scarlett Johansson) changes things.
Relativity Media

In phe last decade, Joseph Gordon-Levitt has worked hard to establish himself as a serious actor, and he's been so successful it's easy to forget he came of age in the '90s sitcom 3rd Rock from the Sun. The guy has comedy chops, and he's exercising them again in a smart new movie he wrote and directed called Don Jon.

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