David Edelstein

David Edelstein is a film critic for New York magazine and for NPR's Fresh Air, and an occasional commentator on film for CBS Sunday Morning. He has also written film criticism for the Village Voice, The New York Post, and Rolling Stone, and is a frequent contributor to the New York Times' Arts & Leisure section.

A member of the National Society of Film Critics, he is the author of the play Blaming Mom, and the co-author of Shooting to Kill (with producer Christine Vachon).

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11:30am

Fri May 25, 2012
Movie Reviews

A Wes Anderson 'Kingdom' Full Of Beautiful Imagery

Originally published on Fri May 25, 2012 3:11 pm

Edward Norton plays a scoutmaster in search of his lost charge in Wes Anderson's latest film, Moonrise Kingdom.
Focus Features

Many people are rapturous over the work of Wes Anderson, and for them, I expect, Moonrise Kingdom will be nirvana. The frames are quasi-symmetrical: a strong center, often human, with misaligned objects on each side suggesting a universe that's slightly out of balance, like a series of discombobulated dollhouses.

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12:15pm

Wed May 16, 2012
Movie Reviews

'The Dictator' Rules With A Satirist's Fist

Originally published on Wed May 16, 2012 1:30 pm

Sacha Baron Cohen plays Admiral General Aladeen, the authoritarian, anti-Semitic and unexpectedly sympathetic protagonist of The Dictator.
Melinda Sue Gordon Paramount Pictures

Many fans will be disappointed that Sacha Baron Cohen's The Dictator is a more or less conventional comedy and not an ambush-interview mockumentary in the style of Borat and Bruno. But that guerrilla-clown shtick would be tough to sustain: Why not let him try something else? The good news is that The Dictator is loose and slap-happy and full of sharp political barbs and has funny actors moving in and out — and at a lickety-split 83 minutes, it doesn't wear out its welcome.

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12:36pm

Thu May 10, 2012
Movie Reviews

'Dark Shadows': A Vampire Returns, Without His Bite

Originally published on Fri May 11, 2012 10:22 am

After Barnabas Collins (Johnny Depp) rises from the grave in the 1970s, 200 years after he was imprisoned, he returns to his ancestral home and befriends his descendants, including David Collins (Gully McGrath).
Peter Mountain Warner Brothers Pictures

Two score and four years ago, I'd fly home from fourth grade for the 4 p.m. broadcast of Dark Shadows. In 1968, vampires and werewolves weren't mainstream — the era's horror films mostly played drive-ins — yet here on TV was a daily horror soap opera.

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11:54am

Thu May 3, 2012
Movie Reviews

'The Avengers': A Marvel-ous Whedonesque Ride

Originally published on Thu May 3, 2012 6:29 pm

Thor (Chris Hemsworth, left) and Captain America (Chris Evans) join up with Iron Man and the Hulk to save the Earth in The Avengers.
Walt Disney Pictures

Two spheres merge in The Avengers: the Marvel Comics universe and the Whedonverse, fans' name for the nerdy wisecracking existentialist superhero world of writer-director Joss Whedon.

The Whedon cult is smaller but maybe more fervent, inspiring academic conferences on such subjects as free will vs. determinism in Buffy the Vampire Slayer. I find a lot of Whedon's banter self-consciously smart-alecky, but I love how he can spoof his subjects without robbing them of stature.

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5:03pm

Thu April 26, 2012
Movie Reviews

A 'Five-Year Engagement' Leaves A Bitter Taste

Originally published on Fri April 27, 2012 9:38 am

Tom (Jason Segel) and Violet (Emily Blunt) celebrate their impending nuptials with their families before Violet drops a bomb: She's been accepted at a program at the University of Michigan, and wants to move there and postpone their wedding day.
Universal Pictures

There are many dramas and comedies in which career trajectories take couples to different corners of the country, complicating or ending romantic relationships. There will be many more, at least until someone invents a teleportation machine. What's different about each work is how the problem gets interpreted.

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12:36pm

Wed April 18, 2012
Movie Reviews

In 'Monsieur Lazhar,' Grief Lingers In The Classroom

Fellag, an Algerian comedian, plays the title character in the Oscar-nominated Monsieur Lazhar, who steps in to teach a class of middle school students after tragedy has struck their classroom.
Music Box Films

Teacher movies tend to be more alike than unalike, but Monsieur Lazhar makes the familiar unusually strange. The note on which it opens is shocking, tragic: A Montreal middle school student, Simon, enters his classroom ahead of the other kids and finds his teacher hanging from a pipe, dead by her own hand.

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11:14am

Fri April 6, 2012
Movie Reviews

A Sublime, Impressionistic 'Deep Blue Sea'

Rachel Weisz plays the adulterous Lady Hester Collyer in The Deep Blue Sea, turning in a performance as luminous as a Pre-Raphaelite portrait.
Music Box Films

Terence Davies' films aim for and often achieve a state of music, the camerawork in harmony with the soundtrack, the images connected by emotion rather than narrative.

Adapting Terence Rattigan's 1952 play The Deep Blue Sea, he throws out the drama's tidy structure and much of the dialogue, and shows the events through the eyes of the adulterous Lady Hester Collyer, played by Rachel Weisz.

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11:35am

Thu March 22, 2012
Movie Reviews

Acting Trumps Action In A 'Games' Without Horror

Originally published on Thu March 27, 2014 9:47 am

In The Hunger Games, Katniss Everdeen (Jennifer Lawrence) volunteers to take her little sister's place in a killing ritual televised to the masses.
Lionsgate

Suzanne Collins' novel The Hunger Games and its two sequels are smashingly well written and morally problematic. They're set in the future, in which a country — presumably the former United States — is divided into 12 fenced-off districts many miles apart.

Each year, to remind people of its limitless power, a totalitarian government holds a lottery, selecting two children per district to participate in a killing ritual — the Hunger Games of the title — that will be televised to the masses, complete with opening ceremonies and beauty-pageant-style interviews.

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2:42pm

Fri March 16, 2012
NPR Story

David Edestein Reviews 'Casa De Mi Padre'

Transcript

DAVID BIANCULLI, HOST:

At age 44, Will Ferrell has played an anchorman, championship NASCAR driver, ice skater, an elf, and George W. Bush. What's his next challenge? Making a movie in which he speaks nothing but Spanish. The Mexican-set action comedy "Casa de mi Padre" is directed by Matt Piedmont, who collaborated with Ferrell on his website Funny Or Die. Film critic David Edelstein has a review.

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5:39pm

Thu March 8, 2012
Movie Reviews

'Friends With' Benefits From Its Complications

In Friends With Kids, Jason (Adam Scott) and Julie (Jennifer Westfeldt) play two best friends who decide to have a baby together while keeping their relationship platonic — so that the baby doesn't interfere with their own romantic relationships.
JoJo Whilden Roadside Attractions

The premise of Friends with Kids is the stuff of high-concept romantic comedies: Writer-director Jennifer Westfeldt plays Julie, who's at the age when her odds of childbearing lessen each year, and there's no mate in sight. So her best friend, Jason, played by Adam Scott, volunteers to impregnate her.

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11:25am

Fri March 2, 2012
Movie Reviews

'The Lorax': A Campy And Whimsical Seussical

Originally published on Fri March 2, 2012 1:02 pm

The Once-ler (voiced by Ed Helms) and the Lorax (Danny DeVito) are surrounded by bar-ba-loots in Truffula Valley in Dr. Seuss' The Lorax.
Universal Pictures

At the far end of town
Where the Grickle-grass grows
And the wind smells slow-and-sour when it blows
And no birds ever sing excepting old crows ...
Is the Street of the Lifted Lorax.

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11:43am

Fri February 24, 2012
Movie Reviews

'Wanderlust': A Zany Blast From The Communal Past

Originally published on Fri February 24, 2012 2:15 pm

Orange You Glad We Wound Up Here? George (Paul Rudd) and Linda (Jennifer Aniston) play an unemployed Manhattan couple who stumble into a hippie farming commune whose denizens include characters played by Justin Theroux and Alan Alda.
Gemma La Mana Universal PIctures

In sophisticated comedy, what's funny is the tension between proper manners and the nasty or sexy subtext. Whereas in low comedy, there are no manners, and the nasty or sexy subtext is right there on the surface.

And then there's Wanderlust, in which the subtext is blasted through megaphones — the characters say so insanely much you want to scream. The satire is as broad as a battleship and equally bombarding. But it takes guts to do a comedy this big without gross-out slapstick, and the writers and the actors are all in.

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4:08pm

Thu February 16, 2012
Movie Reviews

A Veteran's 'Return' To The Front Lines Of Home

Originally published on Fri February 17, 2012 1:36 pm

Linda Cardellini plays a vet who returns from overseas with no way to make sense of where she was and what it meant in director Liza Johnson's new drama Return.
Dada Films

The coming-home genre is so rife with stock ingredients that first I'd like to tell you what Liza Johnson's very fine drama Return doesn't do. The camera doesn't move in on returning-veteran Kelli, played by Linda Cardellini, as the sound of battle rises and she's back in her head on the front lines. The film doesn't give you what I call the "psychodrama striptease," in which a past trauma is revealed piece by piece until you're finally, at the end, shown the essential bit.

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12:11pm

Thu February 9, 2012
Movie Reviews

'Safe House,' 'Haywire': Watch Them Back To Back

Originally published on Fri February 10, 2012 12:19 pm

Mixed martial arts fighter Gina Carano stars as Mallory Kane, a highly trained covert operative, in a twisty, tautly wrought thriller.
Claudette Barius Relativity Media

The flashy Denzel Washington thriller Safe House will probably gross in a few hours what Steven Soderbergh's Haywire has made in several weeks, but if you like action you ought to catch both back to back. Soderbergh's film is a reaction to the jangled, high-impact style of Safe House and its ilk.

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11:23am

Thu January 26, 2012
Movie Reviews

In 'Albert Nobbs,' Glenn Close Does More Than Pass

Originally published on Thu January 26, 2012 1:39 pm

Albert Nobbs (Glenn Close) and Helen (Mia Wasikowska) go on a series of awkward dates in Albert Nobbs, a film based on a 1918 George Moore story.
Patrick Redmond Roadside Attractions

As Albert Nobbs, Glenn Close has hair that's cropped and orangey, and a voice that rarely rises above a nasal croak. She lives and works as a waiter in a high-toned hotel, where she stands with lips pressed together, tight yet tremulous, her searching eyes her only naturally moving parts. She resembles no man I've seen, but no woman, either. She's the personification of fear — fear of being discovered to be a woman. Because hers is a society that treats all poor people badly, but poor women worse.

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