Neda Ulaby

Neda Ulaby reports on arts, entertainment, and cultural trends for NPR's Arts Desk.

Scouring the various and often overlapping worlds of art, music, television, film, new media and literature, Ulaby's radio and online stories reflect political and economic realities, cultural issues, obsessions and transitions, as well as artistic adventurousness— and awesomeness.

Over the last few years, Ulaby has strengthened NPR's television coverage both in terms of programming and industry coverage and profiled breakout artists such as Ellen Page and Skylar Grey and behind-the-scenes tastemakers ranging from super producer Timbaland to James Schamus, CEO of Focus Features. Her stories have included a series on women record producers, an investigation into exhibitions of plastinated human bodies, and a look at the legacy of gay activist Harvey Milk. Her profiles have brought listeners into the worlds of such performers as Tyler Perry, Ryan Seacrest, Mark Ruffalo, and Courtney Love.

Ulaby has earned multiple fellowships at the Getty Arts Journalism Program at USC Annenberg as well as a fellowship at the Knight Center for Specialized Journalism to study youth culture. In addition, Ulaby's weekly podcast of NPR's best arts stories. Culturetopia, won a Gracie award from the Alliance for Women in Media Foundation.

Joining NPR in 2000, Ulaby was recruited through NPR's Next Generation Radio, and landed a temporary position on the cultural desk as an editorial assistant. She started reporting regularly, augmenting her work with arts coverage for D.C.'s Washington City Paper.

Before coming to NPR, Ulaby worked as managing editor of Chicago's Windy City Times and co-hosted a local radio program, What's Coming Out at the Movies. Her film reviews and academic articles have been published across the country and internationally. For a time, she edited fiction for The Chicago Review and served on the editing staff of the leading academic journal Critical Inquiry. Ulaby taught classes in the humanities at the University of Chicago, Northeastern Illinois University and at high schools serving at-risk students.

A former doctoral student in English literature, Ulaby worked as an intern for the features desk of the Topeka Capital-Journal after graduating from Bryn Mawr College. She was born in Amman, Jordan, and grew up in the idyllic Midwestern college towns of Lawrence, Kansas and Ann Arbor, Michigan.

Blockbuster is going to shut all of its company-owned stores. Some franchise stores will stay open. At its peak, the video rental chain had about 9,000 stores.

One of rock's most beloved and contrarian figures has died. Lou Reed epitomized New York City's artistic underbelly in the 1970s, with his songs about hookers and junkies. He was 71.



OK, three brand-new cable channels all share the same problem. How do you persuade 20-somethings to look up from their phones long enough to gaze at an old-fashioned, regular TV? In Los Angeles, NPR's Neda Ulaby visited one of the channels that's trying to do that.

NEDA ULABY, BYLINE: This could be the set of any cable news show about to go live.


UNIDENTIFIED ACTRESS: (As character) Three minutes.

UNIDENTIFIED ACTOR: As character) We've got three minutes to air.

One of the strongest new sitcoms on TV this season has the worst name, but its title, Trophy Wife, was intended to be ironic. The show's creators, Sarah Haskins and Emily Halpern, are self-professed feminists who wanted to take on a type generally scorned in popular culture.

The show's eponymous character, Kate, is a reformed party girl trying to find her place in a family that includes a much older husband, Pete, his two ex-wives and three kids. When Kate inadvertently breaks Pete's nose, the situation is expertly handled by ex No. 1, an intimidating surgeon.

Seriously, if you were being attacked by zombies, you might yell out the word f- - -! But no one does on The Walking Dead. When it comes to language in this golden age of basic cable dramas, the rules are idiosyncratic and unclear.

"It's so arbitrary, hon," says Kurt Sutter. "It's just basically people in suits making up the rules."

No place seems safe these days from someone's terrifying, post-apocalyptic imaginings. Los Angeles is wrecked in the movie Elysium, the South is zombie-ridden in TV's The Walking Dead, and now— thanks to writer Ben Winters — even the quiet streets of Concord are at risk of annihilation.

More than 90 percent of Americans say public libraries are important to their communities, according to the Pew Research Center. But the way that love translates into actual financial support varies hugely from state to state.

Vermont, for instance, brags that it has more libraries per capita than any other U.S. state. Some of them are remarkably quaint. In Ludlow, one library is a white clapboard Victorian, slightly frayed, ringed by lilies and sitting by the side of a brook.

For the next year, NPR will take a musical journey across America, which is one of the most religiously diverse countries on earth. We want to discover and celebrate the many ways in which people make spiritual music — individually and collectively, inside and outside houses of worship.

The founder of the choral group Sounds of Africa is Fred Onovwerosuoke. He was born in Ghana and brought up in Nigeria, and his choir in the heart of the U.S. — St. Louis, Mo., to be exact — has recorded his arrangements of African sacred music by a composer named Ikoli Harcourt Whyte.

Two years ago, in 2011, 90 percent of Lego's consumers were boys. A tough statistic to swallow for those of us who grew up playing with Lego's gender-neutral buckets of bricks. But the statistic came straight from Lego, which was then focused on boys with franchised sets based on properties like Star Wars and The Avengers after weathering a disastrous period in the 1990s that left the company on the brink of collapse.

One of the most anticipated shows of the summer, Under the Dome, starts Monday on CBS. It's about a tiny New England town that's suddenly and mysteriously sealed off by an impenetrable dome.

The series is the first on-screen collaboration between two of the biggest Steves in popular culture — Steven Spielberg and Stephen King.

"The Steven Squared, we call it," cracks Neal Baer, an executive producer of the show.

I visited Toy Fair in New York City hunting for ideas for our summer series about kids' culture. One of the big takeaways was the increasing popularity of construction games such as Legos. Sales shot up nearly 20 percent last year. Now, it seems, every major toy manufacturer is scrambling to add new games geared toward kids building things.

For today's All Things Considered story about people sharing their Netflix or Hulu Plus passwords, producer Sami Yenigun latched on to what could've been an ordinary entertainment-business story and front-loaded it with snippets of sound from Game of Thrones — attacking dragons, evil kings, treacherous harlots. He made it hilarious.

This summer, NPR is taking a closer look at media for kids, taking it as seriously as what's offered to adults. Our first piece looks at a new show starting Monday night on ABC Family.

Arrested Development returning via Netflix? Just another old-media brand reviving itself on new media.

The TV show, which originally ran on Fox from 2003 to 2006 and unveils new episodes on Netflix next weekend, finds itself in splendid company. Radiohead, Louis C.K., Veronica Mars — all found their audiences with promotion and distribution from big studios and networks. Radiohead was signed to a major music label. Louis C.K. enjoyed HBO specials and TV shows. And Veronica Mars ran on two TV networks for three years.

Mad Men comes back for its sixth season Sunday at an opportune moment for basic cable. Last weekend, 25 million viewers combined watched The Bible and The Walking Dead on basic cable channels. That's more than triple the audience for The Good Wife on CBS that same night.